Submission Guidelines – Arts
You can submit poetry and essays through our submission manager Duosuma by Duotrope. Before submitting, please review the guidelines below.
We are open to poetry ranging from strictly formal verse to experimental poetry. Yet we do have premises and preferences.
Please refer to the following guidelines for 1.) poetry and 2.) poetry essay 3.) culture submissions:
1.) Poetry:
- Whether the verse is formal, experimental or “free verse,” we appreciate poetry that adeptly uses a poetic line, a stanza and explores the tension that exists between the sentence and the line. A poem is an artifact, a made thing, wrought from words and separate from everyday speech. Colloquial speech of course is in many great poems, but somehow exalted into something memorable for the ear.
- We believe that form precedes content. While we welcome a vast range of themes, we do not see poetry as primarily an essay.
- We have a keen appreciation for skill with prosody, e.g., the music of a poem whether that music is sweet, or hard and clashing. The use of consonance, assonance, alliteration, enjambment, and a feel for the drama of the sentence vs. the line, are all highly welcome. We believe that poetry is written first with the ear, second with the eye.
- We enjoy a balance of imagery vs. rhetoric, with pride of place going to sharp, memorable images. When a poem is discursive, one hopes the discourse is one of subtlety. Even outrage may be sung, thus opera.
- Poems ideally are serious, but not self-serious. As such, we invite wit and satire.
- We do not stipulate length. Just be sure the poem is as long or short as it needs to be.
- One to three poems per submission is about right.
- Please provide a short bio.
- For a greater sense of the magazine’s stance on poetics, please read some of Johnny Payne’s bi-weekly essays on poetry in Merion West, and those of our guest poetry essayists. We are trying to contribute to an international conversation about poetry: its importance and what it can do to help make us into more thoughtful people.
- As such, we welcome translations of poetry into English from any language. Please provide the original text from the source language if possible.
2.) Poetry Essays:
The Arts section of Merion West invites essays about poetry, to be titled “A Fresh Look at ____,” the blank representing a poet and one of her/his poems, such as “A Fresh Look At Lydia Huntley Sigourney’s ‘Death of an Infant.'” The poem can be taken from any tradition within world culture, and any era up through the end of the 20th century. The poet can be famous or one needing to be “rescued from history.”
Johnny Payne’s review-essays for Merion West fall within 1,200-1,500 words, and may serve as a guideline, thus you are invited to read a couple as a point of reference. We appreciate erudition and style. At the same time, we welcome a voice that invites a discerning general audience to learn more about poetry.
As a magazine that covers culture and politics, we welcome essays, book reviews, and op-eds that contribute to contemporary discourse in these areas. The following guidelines delineate some of our main preferences.
- We welcome essays that contribute to an elevated discourse. Essays should be thoughtful, well-researched, not excessively polemical, and strive to make the timely timeless and the timeless timely.
- As a magazine that does not pander to short attention spans, we welcome long-form essays if they are well-written, well-argued, and make a lively contribution to political and cultural discourse.
- Per (2), we do not set a ceiling on length. The essay should be as long or short as it needs to be. We generally prefer that essays not exceed 4,000 words, but when the quality of the essay permits, we are happy to publish.
- Book reviews should be on books published within the last three years.
- Op-eds should generally not exceed 1200 words, with some flexibility depending on the quality of the article, or, in limited cases, the necessity of elaborating on a point relevant to the argument. Op-eds should address something topical and timely.
- Students who seek to publish an article based on a school paper should revise and prepare the paper so that it has the form of an essay for public consumption. Essays that read like a paper written for an academic course, or otherwise suffer from a style of academic formalism, will not be accepted.
- We try to preserve the original prose of the author as much as possible, so we do not over-edit. With that in mind, we prefer submissions that are not drafts but, rather, polished, finished pieces.
- For a greater sense of the types of articles the magazine prefers to publish, please review some of the articles already published on the website.
- Please provide a short bio.