“My own song ‘Alabama’ richly deserved the shot Lynyrd Skynyrd gave me with their great record. I don’t like my words when I listen to it. They are accusatory and condescending…”
A Once-Unnecessary Reminder: Criticism Produces Good Works
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On the Record: Past Interviews
Erich J. Prince
Erich J. Prince is the editor at Merion West. Erich has contributed to a variety of publications including The Philadelphia Inquirer, the Hartford Courant, The News & Observer, the Orlando Sentinel, and The Hill. His opinion writing has been honored with two awards from the Columbia University School of Journalism. He studied political science at Yale, completing his thesis on the history of polarization in the United States Congress.
Tag: arts
Review: Clint Margrave’s “Lying Bastard”
“Lying Bastard is a work of the zeitgeist. Disgruntled intellectuals. Returning war veterans just beginning their higher education. A school shooting. The fraud of academicians. Societal exploitation.”
A Korean Dyad
“Saying that people need to know the objective truth about what goes on Up There, the objective truth about evil places fueled by imported wine and blank consciences.”
Self-Determination and Philip K. Dick’s “Ubik”
“The ultimate message it proffers—Ubik the substance, Ubik the book—is one of self-determination despite humanity’s manifest lack of control and certainty.”
“Gone with the Wind” Isn’t Going Anywhere
“What is a classic? What is an epic? These two questions loom over any reader of Gone with the Wind (and great literature, more generally).”
The Oedipus Complex of a Nation in Flux
“Reading it specifically in the context of the current societal struggles and apparently widespread cultural conflicts occurring in the United States today, the myth imbues the reader with a redoubled vigilance.”
[Give the Man a Name]
“On fences and poles were the signs and posters of the age. Men with hard eyes and stiff lips; men with mustaches and military hats; women in dresses, sleeves rolled, forearms flexed. The age the man knew not.”
What “The Merchant of Venice” Has to Say about Justice
“Just as it was in Shakespeare’s time, the questions of justice, mercy, and society remain as relevant as ever before, and we have much to learn from the great bard of Anglodom.”
Achilles, Priam, and the Redemptive Power of Forgiveness
“For all the battle scenes, violent sex, and rage that fills the poem, the most memorable scenes in the poem are moments of love—especially loving moments of embrace.”
Maurizio Cattelan and When Art “Ridicules Art Itself”
“This is an art which no longer presumes to speak to or for the general public. Such an art “assails all previous art” and even “ridicules art itself.”
Can We Read Moby Dick?
“But, as I found myself stumbling in my response to my sister, a more elemental question arose: Can we read Moby Dick?”
Aeschylus’ “Prometheus Bound”: Where Is Meaning to be Found?
“Aeschylus’ tragedy represents the most elemental aspects of our human condition: all human flourishing comes with a cost.”
Aristophanes: The First Poet Critic
In the words of German poet Henrich Heine: “There is a God, and his name is Aristophanes.”
Why Aeschylus Still Matters Today
“But Aeschylus’ cosmos goes beyond Homer’s in presenting Reason, Persuasion, as an integral aspect of the cosmos that was otherwise absent in Homer.”
Poetry and Modernity
“Any civilization or culture is itself a vast dynamic interpretation or, we could even say, a vast dynamic work of art.”
